#that are just going to be perfect lmao

[loveshotzz]

Rewatched Road House to gear up to start writing bouncer!steve’s night. He’s going to be insufferable but I promise to make him extra hot to make up for it.

[ruushes]

my hof was born to be a griffon rider, if they could've given him a griffon at the start of dao the blight would've been over in a week

[revvethasmythh]

Jester: Veth, you're married! Stay true. Fjord: You know minotaurs are her weakness.

+ Bonus CR Cooldown:

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[xxplastic-cubexx]

If you were to like redesign Magneto's classic outfit in a way that both suits the character and your own tastes, how would you redesign it?

uhhhh errrmmmmm i dont know i really couldnt improve upon perfection but i have still tried for you my friend !!!

[luminique]

how do u think lighter and the rest of SoC would act if his partner got their period? im talking like . really bad cramps that basically render them immobile and, of course, mood swings. i would love to see ur take on that…

i’m answering this now cuz i am literally going through period cramps like aughhhgdjsgskshajbs

i am so sure that lighter is PREPARED with these things. look no further than the Sons of Calydon, four girls. so when it comes to that time of the month, lighter is normally the one who’d have to go out to buy pads, tampons, painkillers, sweets and more.

the girls had all noticed that you weren’t outside, hanging out with them. they turned to lighter to ask him where you were and at first, he tried not to show that he was worried, brushing it off and saying that it’s probably nothing too bad. something in his head was telling him to go check up on you, maybe it was a gut feeling. either way, he slipped right past the girls (pretty obviously and they knew where he was going).

he knocked on your door, always waiting for a response. he could hear your shifting around in your bed and then your voice, weakly calling him in. you were all bundled up under the sheets but you clearly seemed uncomfortable. only with you, his body moves so naturally, taking a seat at the edge of the bed.

“hey, everything alright?” his voice filled with worry, trying to not let it show though. his hand tries to reach for your arm but he pulls back, keeping it close to him.

“cramps,” your frustrated voice comes through the blanket. as if on command, he immediately stood up and ran out of the room, but came back in no time with a box full of essentials. he placed it on the ground, digging out the painkillers and a bottle of water.

“come here,” he called out to you gently, tugging on the blanket just a little. you begrudgingly sit up after a little bit of time, clearly grumpy and in pain. you take the medication from him, swallowing it up with the water. you weren’t in the best of moods, cranky and not wanting to do too much in this state and he understood that without saying much.

he grabs something small wrapped in plastic, rips it open and heats it up in his hands. he’s trying to signal to you with his eyes if he has permission to get under the covers with you, lifting up the blanket just a little. how could you say no? so you scoot over just a little, giving him enough space. once he was close to you, he placed the small packet near your abdomen, over your shirt. it was a heating pad, not too hot but not too cold.

you were slowly leaning back into the bed, the warmth of the heating pad and the painkillers beginning to work its magic. you could hear the sounds of metal clinging as lighter began to remove his jacket and gloves.

“it’ll help you feel better,” he murmured quietly as he got closer to you. partly true as that gave you warmth but it was more because he wanted to be close to you. not before long, you were able to sleep comfortably in his arms as you both cuddled the period pains away.

[fadelbison]

Of Boats and Drama; The Turning Tides on Kant and Bison's Compatibility

obsessed with how when its during their make believe phase, when fadel says "I think I love you" to Style, Style doesn't say it back and instead just kisses him at the end of ep. 6 and during the kantbison parallel at the start of ep7 when Bison says "I love you" to Kant, Kant says "I love you" back but clearly there's baggage even if he's not lying outright.

But after the brothers kidnap their respective lovers its Style that fronts with the I love you that perplexes Fadel

and its bison that wants to hear it

but Kant jumps into the ocean instead (like you can see the beach front okay Bison is clearly devoid of killing intent here) instead of lying to him or say the same things he's been saying to dupe him.

I really think this is where the Kant and Bison compatibility is finally starting to show. Bison clearly loves his little fantasies and make belief of romance (just like style dear fucking god). I've joked before about how bison has given to his brother the lover he had envisioned for himself - the one who will plead his love, cajole and give in.

But that guy is wrong for him.

We've seen that slightly off dynamic between Kant and Bison for 6 whole episodes. And it's killed me that people kept trying to interpret them with the same rose tinted glasses that we do for Fadel and Style. Because the FadelStyle and KantBison relationship parallels aren't meant to highlight the similarities between the couples but rather the differences, that's where the information about these characters come from.

The audience knows something that Kant doesn't in the boat scene; which is that he has this in the bag already. I think this is the infamous island Bison inherited from his dad and he's brought him here to literally just talk. I know I mentioned this already but bison literally looks like he just untied the boat from shore and let it drift on its own while waiting for Kant to wake up.

Like that has got to be the minimum legal distance that a boat needs to be from shore to be considered unmoored lol. This is 'I am using your vulnerabilities against you because love is pain' shore distance not 'dead body dumping' shore distance. The body will wash up on shore before the boat even makes it back.

But for Bison, Fadel's reasonable precautions while we talk approach was not enough. He needed the ropes, the guns, the added ocean trauma because the guns didn't feel enough to instill fear, the pretty necklace he put on just so he could rip it off his throat, everything is already high drama high fantasy for him. Bison set the stage for desperate begging and tearful confessions, things he already got at the hospital btw but that wasn't enough either.

Because.

Bison doesn't need to be sold on fantasies. He had that and it sucked for everyone involved, what he needs when he's totally out of control like this is this guy:

[screenshots of Kant telling bison he wants to talk on land and he's scared of the ocean]

For six whole episodes I saw Kant be wrong for Bison and not be able to pinpoint exactly why people cawing over how cute KantBison are bothered me so much. Until, of course, Kant finally does something right and all of a sudden it just all clicks together. Bison is boisterous, headstrong and because of his unique skillset also irresponsibly dangerous. The BDSM scene also shows that despite his best intentions, Bison can and will abuse power if given to him irresponsibly.

He doesn't need the Kant that plays along with everything he does. He needs the Kant that Kant is to everyone but him. The person that Kant is when they're together is barely even Kant. He needs the calm, level headed but fiercely devoted older brother, he needs the guy that helps a hookup out because that's his duty as a human being, he needs the guy that stole cars to keep his family fed. And I'll be really honest, that's the guy that Bison loves anyway, the one he hears about from Babe and Style and James.

What Bison needs is the quiet devotion of Kant choosing his own personal hell over playing this game and furthering any deception between them even though technically it wouldn't even be a lie (Bison is literally poised to believe him); the dogged resolve that once he's decided to do this on his own terms, it happens on his own terms.

[marvey-sideblog]

"And it just happened to be empty?" "Something like that."

Suits 4x8 "Exposure" Mike returns to Pearson Specter and gets Harvey's old office.

[oatmealcrisp-freak]

Keita Machida for Yuuri Katsuki dreamcast

[lizzybeeee]

DATV is overly reliant on Supplemental Media - especially if you are a returning player

TL;DR: Supplemental material should not be required reading in order to understand what's going on in the main game -> it's additional material that enhances what we were given. If what we were given is lacking and unable to coherently tell us a story, then the writers and those in charge did not prioritize what was important.

Not a take that's unique to Dragon Age, but one that is very relevant when talking about DATV. I've made a few posts about plot/story points that either make no sense or have been dropped entirely in the lead up from DAI to DATV. Every now and then I get a few comments or messages about how certain points I made were addressed in supplemental material released in the lead up to this games release.

This isn't a call out post, by the way! But it's frustrating, to me, that this games writing is so lacking that my understanding is being inhibited because I can't remember details from a book I read two years ago - not to mention various podcasts, comics, and short stories. My understanding of a video game in a video game series should not be reliant on additional/optional content.

DATV is a weird game in that it is absolutely a 'soft/scorched earth' reboot while also marketing itself as a continuation to what was set up in Inquisition and Trespasser. Personally, I think that if you are up to number 4 in a game series, one with a continuous story-line, it should be expected that new players won't be able to catch up to everything -> it's the game developers job to make the world and story intriguing enough that the new players will go back to previous games in the series and fill in the blanks themselves.

Veilguard, as a sequel, is overly reliant on content that comes from outside the games themselves (including DLC's) if you want to make sense of the world and story. Trespasser left us with an epilogue that set up some plot points for the next game: Solas & the Veil, the Elven Rebellion, and War with the Qun - plot points that have been built up since the time of Origins. But when we get into DATV two of these points have been dropped and resolved, off-screen.

There are more questions, but these are the ones that bothered me the most while playing the game:

What happened to the Agents of Fen'harel/ Elven Rebellion? -> answered in a cursed reddit AMA.

What happened to the Qunari following Trespasser -> addressed in Tevinter Nights, and a codex entry you can pick up (optional).

Why is Skyhold infested with demons? -> mentioned in Tevinter Nights.

How did the Dalish go from worshiping their own pantheon to knowing they are false gods? (specifically those we meet in the Veil Jumpers) -> mentioned in the Missing comic series.

What's up with Nevarra's Royals? -> Tevinter Nights addresses that there is a power struggle in the Pentaghast family and the role of the Mortalitasi in making it worse - though it does not address the whole 'mage puppeting a corpse' issue and all the implications it has.

This is a video game series -> the bulk of the information required for me to understand the story and its relation to previous entries needs to be included in the final game version. I am playing a video game and not attending a uni class - I should not need to have a required reading list in order to understand what the fuck is going on. I should definitely not need to go onto a reddit AMA to understand what happened in-game, either.

What makes this stand out the most is that DAI was very successful in tying in previous games, DLC's, movies, and books! Inquisition did a great job in getting you up to speed on the events of the previous games early on, providing personalization if you played those games, and giving the player the opportunity to inquire into these events.

Hiding away the answers in additional material or a codex entry that may be missed is not good game design or good writing. DAI didn't assume that you had bought and played the Legacy DLC -> it made certain you experienced the conversation with Varric and Hawke if you wanted to proceed in the game. It didn't hide away imperative information in codex entries - it had characters talk about it in scripted scenes and encourage the player to ask more. You would actively need to avoid interacting with characters for you to not experience this information in DAI.

Leliana talks about her role during the Blight, her calling by the Maker, and her relationship with Dorothea/Justinia -> DAO and Leliana's Song DLC.

Cullen talks about his time as a templar at Kinloch & Kirkwall -> DAO and DA2.

Cassandra speaks about her history, investigation into Hawke, and the Seekers -> Dawn of the Seeker movie, DA2, & Asunder novel.

Varric talks about Hawke, Kirkwall, and Corypheous -> DA2 and Legacy DLC.

Cole talks about how he discovered he was a 'demon' - it leads to further conversations about Rhys, Evangeline, and Lord-Seeker Lambert -> Asunder novel.

Wicked Eyes and Wicked Hearts -> the game literally continues what the Masked Empire novel sets up, the Orlesian Civil War. The game does a decent job of telling us about the players (Celene, Gaspard, Briala etc...) and the reasoning behind the conflict through dialogue, the ability to explore the battlefields, quests, ambient dialogue, etc... The book is not required reading - though it greatly adds to the complexity of the characters, motivations, and political intrigue!

I never once, playing DA2 or DAI, felt penalized or like my experience was lacking because I had not engaged with supplemental material or DLC's. I got into Dragon Age when I was in high school, it wasn't until I graduated and began working after that I had the disposable income available for experiencing the extra material. I cannot say that for DATV - If you have played Inquisition and go into DATV straight from that you will, absolutely, be confused about how we got from A to B.

Which is especially strange to me!? Why is it that new players will be less confused than those that are returning players? It's like the game is actively punishing you for playing and caring about previous games in the series.

Supplemental media is bought because the main product has earned your investment, love, or interest. Not everyone has the income available to buy it with their own money - especially if you live outside the US and have to pay additional shipping costs. Not everyone has the ability to buy or 'obtain' the digital versions either. My understanding of the main story of a video game in a video game series should not require additional monetary investment into other mediums.

The game itself should be enough and DATV is not enough.

[spotaus]

Eyy, King Reaper and his beloved Mage Geno designs <3

[snekdood]

so uh

for 1. most people are gonna take advantage of black friday and wont see your specific niche tumblr post, I hate to say it

2. the us isnt running out of money for war any time soon, so...

3. this is just antisemitism???????? all we need is some (((echoes))) around the us and israel and then I'd have no reason to suspect otherwise from op...............

[b4kuch1n]

siren

[seagull-scribbles]

“Ain’t turtles supposed to be endangered?”

“Only the ones who can’t do this!”

[flowersnax]

the tower, reversed (id in alt)

“You see Orion's mech tighten its grip on its gun and widen its stance as it braces itself. If you could see inside the cockpit, you’d see a very rare sight: Orion is visibly furious. Teeth bared, eyes wide, brow furrowed. He’s almost snarling, like a guardian dog protecting its flock. His hands grip onto the controls so tightly they’re almost shaking. It’s unclear whether he says this to will his mech further than he’s ever pushed it before, or if he’s saying this to the mech opposing his, but in his anger he almost roars out “COME ON, YOU SON OF A BITCH” and fucking unloads into the mech before him, a blaze of gunfire and spent casings as mech and human become one. Orion’s bullets rip into the mech, tearing it apart. He doesn’t stop until it lies inert before him, a pile of scrap still smoldering, where a mechanized chassis once stood. His mech slouches over, as if it had been holding its breath this entire time, and the adrenaline finally left its system.”